The Tell Tale Heart (2020) Short Movie - Based on the original psychological thriller by Edgar Allan Poe.

The Tell-Tale Heart – The Film to Introduce Conscious Camera

by John Lindquist

May 14, 2019

Producer/Director McClain Lindquist setting up shots

The upcoming production for the film The Tell-Tale Heart is generating buzz. Why are so many people excited about participating in an independent short film adaptation of Edgar Allan Poe’s The Tell-Tale Heart? The simple answer is that this isn’t just another use of Poe’s work as a cheap and easy dramatic outline. While this adaptation is a modernization of the classic, it remains steadfast in its commitment to Poe’s story, vision and style—nothing cheap or easy. 

 The more comprehensive answer why people want to be a part of this production are the director and his script. Director, McClain Lindquist, is the frontrunner in an offshoot of postmodernism in which the camera carries the weight of a character without being an actual character. This stylistic movement, coined “conscious camera”, employs the technique of using the camera as an accomplice in the story while not representing the point of view of an unseen character. What the camera shows, why it shows what it does, and the manner in which it shows actively connects to the story. Differing from subjective camera (or a first-person shot) that shows perspective from a specific psychical character, conscious camera is not a camera shot as stand-in, or neutral observer, or recorder of events. Conscious camera pushes beyond capturing the visual; through awareness of the camera itself, it reflects the emotions and thoughts portrayed in the story. 

 Lindquist developed the technique and style of conscious camera over a career of music videos and minor projects. As to why he chose The Tell-Tale Heart, Lindquist explained, “The psychological factors from the point of view of Poe’s narrator provide one of the best opportunities to explore [conscious camera].” Lindquist’s choice was both as an artist and a fan. “As a fan, I watched just about every version of The Tell-Tale Heart and while some have been close [to the original story], too many take a shortcut, or wander off in another direction. I wanted a definitive adaptation for modern audiences that stayed true to the short story.” 

 Which leads us to the screenplay adaptation. “I had these ideas about how I wanted the story told and what it would take to accomplish,” Lindquist shared, “but to get other people on board [making the film] I needed a script that captured my vision and how I would use the camera.” He didn’t have to go far to find a collaborator. “To help [with the script] I needed someone I could trust, and who knows how to write. The guy I chose happens to be my brother, John.” 

 The script did the trick. As it has made the rounds, industry people have been clamoring to be part of this project. “Camera, sound, music, special effects, artwork, graphics, production crew, studio, and actors,” Lindquist listed some positions filled or have applications under consideration. With production scheduled for Fall 2019, Lindquist has time, and ample interest, to be fastidious in who he chooses to be part of the project and its progressive conscious camera technique. 

DATE May 14, 2019 CATEGORY Reviews
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The Tell Tale Heart (2020) Short Movie - Based on the original psychological thriller by Edgar Allan Poe.BASSMINT PRODUCTIONS presents a BMP production a BassMint Pros picture Introducing Sonny Grimsley as the Narrator Starring Teren Turner as Detective Tucker Starring Mikah Olsen as Police Officer Sharpe with James C. Morris as the Old Man Special Effects Supervisor Chris Hanson Executive Producer Herb Bangcock Line Producers Social Construct Directed by McClain Lindquist 1st Assistant Director Aspen Andrew 2nd Assistant Director / Dialogue John Lindquist Director of Photography Joe Olivas 1st Assistant Camera Mikkel Richardson Gaffer Jason Rogers Key Grip Mr. Jason Fife Production Manager Ryan Jensen Assistant to Producers / Craft Services April Stromberg On Set Assistant Eric John Set Dressings Michael Frazier, Lyndi Bone Editor Joel Petrie Assistant Editor Ryan Templeman Edit Bay Parking Garage Pictures Colorist Marshal Davis Technical Supervisor Kevin Johnson Crane Operator Glenn Fisk Script Supervisor John Lewis 2nd Assistant Camera Riley Weston, Alex Igidbashian Best Boy Bennett Duchin Prop Master Darren Johnson Technician / Best Boy Chris Johnson Sound Engineer Camden Chamberlain, Tad Chamberlain Music Joel Pack Wardrobe Janelle Corey Wardrobe Assistant Katie Carlson Still Photos Jeremy Poorte Production Assistant Erin Nordberg, Stephen St. Peter, Joey Bullock Directors Assistant Charles Lindquist Pre Production Assistant Alyson Gregory Motion Designer Tim Gray Sound Designer Jake Proctor Foley Angela Mason Sound Studio Strawberry Sound Special FX Makeup Immortal Masks, Dapper Cadaver Special FX Assistant Shawn Henry, Sarah Gamble Makeup Artist Ambria Powell Hair Stylist Nikki BreedLove Contact Lens Painter 9mmSFX Kevin Carter Digital Effects Brendan Wilson Wrangler Zack Valois, Jim Dix Production Designer Scenic Solutions Music Supervisor Meggi Pack Musicians Megan Allman, Gentry Densley, Joel Pack, Aaron Child, Sophie Blair Knifes Dirt Knap FX Timothy Ivan Miller Graphic Illustrator Chris Bodily Quality Control Chris Richards Dark Art Spiritcage, Stanislav Krawczyk, Maxime Taccardi Motion Art Peter Bainbridge/Mothpete Poster Art Andy Walsh Logo Christophe Szpajdel Post Production Artwork Sean Donahue Post Production Photography Grady at Electric Glass Media Relations Jared Christensen Police Technical Supervisor Chief Randy Watt Ogden Police Department Liaison Lieutenant Will Farr Traffic Control On Set Officer Robert Evans A1 Uniform Lori Cigany, Trichelle Marshall Officer Decal Ogden Stamp Company Utah State Officer Assistant Brian Stilson Studio Owner Bryan Clifton Studio Liaison Colin Becker Camera/Lens Rental Jack Allred Eccles Art Center coordinator Pat Poce, Travis Pate Yardcare Kenny Parker Legal Kristopher Greenwood Financial Advisor John Clower CPA Gary Brooks Payroll Nikki Thon Banking Operations Thais Medina, Ramsey Mansour, Rita Luacia Casting City Creek Media Screenplay Mcclain Lindquist Story by Edgar Allan Poe Filmed at Redman Movies & Stories in Salt Lake City, UT and Eccles Art Center in Ogden, UT
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